Set amongst the madness of emergent AI and countering the despotic/heroic/dystopic narratives espoused by “Big Tech”, ‘None of the Above: Troubling the Story’ manifests the research of the Artificial and Distributed Intelligence and AI Real-World Narratives research groups through an evening of immersive sound performance, poetics and other artworks.

The Machine Dreams the Future into Being' has been selected for CRASSH's 'Breaking the Frame' film festival 2022. A evening screening of films on the theme of ‘Breaking the frame: resisting technology in the digital age’.

At ‘Beat a Situationist. At his own game’, John Wild will discuss whether psychogeographic walking practices can be modified to research the digital city.

The materiality, aesthetics, logics and processes of digitality have infused the physical space of cities. We can no longer speak of a clear distinction between analogue, carbon-based, offline entities and digital, silicon-based, online representations. The relationship between digital technology and the city is a complex, more-than-human one in which the convergence of digital technology and the city can be shown to have expanded not just the space of the city but what the space of the city is. This article asks whether the Situationist International’s psychogeographic walking practices can be modified to research the specificity of the digital city.

John Wild will present - Invisible Geographies - The Poetics of digital infrastructure, at Urban Assemblage: The City as Architecture, Media, AI and Big Data.

Over the last year, I have been researching the Limehouse foreshore as part of a SPACE Art & Technology residency. My research focuses on the Limehouse Foreshore just below the towers of Canary Wharf. It brings together multiple conflicting systems: the tides of the Thames, machine learning algorithms used for high-speed trading, the growth patterns of green algae and electrical signals produced by the brain while daydreaming.

An online group show by [SPACE] Art + Tech residency artists, looking at how the act of play can inspire artistic processes. The work considers how gamification and gamified experiences can affect our environment, identities and relationships towards ourselves and each other.

An interview with John Wild about his [SPACE] Art + Technology residency focuses on the Limehouse Foreshore immediately below Canary Wharf.

John Wild will discuss a selection of his experimental radio interventions stretching back over the last 18 years.

Machinic Dreamings are the output of a machine learning generative adversarial network. Trained on 1000 photographs of a body occupying the temporary landscape of the Limehouse Foreshore.

At the 5th international, interdisciplinary Affect and Social Media Conference and Sensorium Art Show, John Wild will carry out a live performative exploration of more-than-human spatialities.

CODED GEOMETRY will present, Limehouse a digital expanded game of psychogeography, at Three Colt Gallery, London.

John Wild will lead a walk following the route of underground fibre-optic cables linking seven of the Londons core data centres.

John Wild will present his text, 'Giant Invisible Pulsating Electromagnetic Sphere Hovering Above My Orange Settee' at Digital Ecologies II: Fiction Machines.

At Approaching Estate, John Wild will present a walking workshop that encourages participants to explore and map the digitally expanded city.

At NOISE=NOISE :: N-RESPONSE, John Wild will perform a live mix of field recordings of radar recorded around Suffolk.

As part of Laura Oldfield Ford : Alpha, Isis, Eden exhibition at The Showroom Gallery, John Wild will present two sound compositions from the CODED GEOMETRY archive.

CODED GEOMETRY >>> Will cross the physical and psychic barrier separating working class Poplar from Docklands luxury lifestyles in search of the material traces of the CLOUD >>>

In Either/Or the principle of exclusivity undergoes détournement by a diverse range of invited participants.